Learn to identify correct price points and predict a brand's next moves by understanding over-production and over-pricing patterns.
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Originally published by The Watch Pit on Facebook (video). All analysis and commentary is attributable to The Watch Pit.
Most watch coverage is uncritical marketing amplification. A brand releases a new reference, the watches media covers it enthusiastically, and consumers form opinions based on brand narratives rather than independent analysis. The Watch Pit takes a different approach: reading brands the way a financial analyst reads a company — looking at the actual signals in pricing, production, distribution, and secondary market behavior to understand what is really going on and what will happen next.
In our earlier reports, we broke down the major luxury watch Swiss and European brands by Mass or Niche or Prestigious or Low-end or Qualitative or Refined — what does it all mean? Well today we apply that analysis further to help you understand how and what and perhaps where to buy. To us, luxury watch brands are best understood through four factors, and only when examined through all four do the real revelations emerge.
Before you can read a brand, you need a framework. We use four factors — applied together — to understand every brand in the market. These four factors cut through the marketing and reveal what a brand actually is, not what it claims to be.
Every luxury watch brand is best understood through these four factors:
Applying the four factors across the major Swiss and European brands, six clear categories emerge. Understanding which category a brand sits in tells you more about that brand's true position than any marketing campaign ever will.
From the top winners to the mega-producers, every brand falls into one of these groups:
The most important thing to understand about luxury watch pricing is that retail price is not simply the cost of making the watch plus a margin. It is a positioning statement — a claim about where the brand sits in the hierarchy of luxury, who its peer group is, and what kind of customer it is targeting. Brands use price as communication.
When a brand increases prices significantly year after year, it is not just responding to cost pressures. It is making a deliberate choice to move upmarket. Conversely, when a brand introduces more accessible entry points or fails to increase prices in line with its stated aspirations, it is either losing confidence in its positioning or responding to commercial pressure that it is not publicly acknowledging.
The secondary market is the most honest signal available about a brand's actual position versus its stated ambitions. Retail prices are set by the brand and represent the brand's opinion of its own value. Secondary market prices are set by actual buyers and sellers operating without brand influence — they represent the market's opinion of the brand's value.
When secondary market prices for a brand's references consistently exceed retail prices, the brand is under-pricing relative to demand. This is the situation for sport references from Rolex, Patek Philippe, and AP. When secondary market prices for a brand's references consistently fall below retail, the brand is over-pricing relative to what buyers are actually willing to pay. This is a critical early warning signal — and it appears in the secondary market well before a brand publicly acknowledges any difficulty.
Only when examined through these four factors can the real revelations be had. Here is the impact of Factors One and Two.
What the average sold price and the popular-model gap reveal:
Here is the impact of Factors Three and Four — the combination that determines whether a brand's strategy is sustainable or about to collapse.
What iteration fatigue and exorbitant price increases produce:
When stock of higher-priced models fails to sell, or when Authorized Dealers are forced to buy them anyway, such models often end up dumped in the gray market at severely discounted prices — depressing secondary market prices further. And this cycle of devaluation trains buyers to continue to seek out value purchases instead of buying brand new at retail. The gray market dumping cycle is self-reinforcing: each dump teaches buyers to wait for the next one.
Brands who understand and manage their popular (usually sport) models with reference to their average watch price have well-earned their continued success — and they tend to be private companies too. Rolex steadily (not suddenly) increased prices or production; AP with the Royal Oak Offshore (despite many iterations) has managed the same. The private ownership structure matters: publicly listed brands face shareholder pressure to grow revenue, which pushes them toward the very over-production and over-pricing that destroys brand equity.
Rolex is the only brand where the basic models are sold with a vastly inflated premium in the secondary market. Can it resist the urge to increase prices? In our opinion, doing so would be disastrous. The allure of Rolex is its accessible retail prices — aligning retail with secondary premium prices will turn Rolex into an over-priced brand, no matter how robust or good quality its products are. Rolex to buyers is ultimately an accessible sports brand churning out durable products, and Rolex's pervasiveness is earned over the years by buyers purchasing at the retail level.
Brands who unashamedly focus on good-value, well-designed, even-if-many-iterations and low-priced models (Longines) continue to maintain or retain market share. But can they resist the urge to go higher in the value-chain? Increasing prices cannot survive the 'many-iteration special edition' fad in our opinion. Buyers are too smart.
Critically, can brands acknowledge the significance of their average sold watch price (too low!) versus their past high production (too high!) versus their popular models being purchased mainly used (oops!)? This will mean reducing prices for their popular models — as it is highly unlikely they can reduce production given the sales their shareholders are used to (most of them are publicly listed entities). Failing to do so may set the brand back years in buying awareness. How aware are you of Franck Muller today? That is what a brand looks like years after ignoring these signals.
When brands can learn to be patient — to make great models, not too many at a time, to understand when to DISCONTINUE a line or movement or model, always in relation to their average sold watch price — they can progressively grow. Discontinuation is a tool the best brands use deliberately; the over-producers never use it because every reference is revenue.
Too often a hit model is met by a sharply higher-priced, greater-quantity, newer model too similar to the previous hit model. Remember: buyers are smart. Some may have the Fear Of Missing Out. But medium and long term they will learn. They will see the new model is barely different from the one they can buy used for half the price — and they will act on that knowledge.
Over-pricing manifests in several observable patterns. The first is increasing secondary market discounts on non-sport references from the same brand. When dress watches and complicated pieces from a brand that is ostensibly premium start trading below retail, the market is telling you something that the brand's marketing department is not.
The second signal is AD discounting behavior. Authorized dealers are contractually prohibited from discounting many references. When they begin offering negotiated discounts — openly or discreetly — on references that were previously full-price, they are signaling that they have inventory they cannot move at brand-mandated prices. Dealer behavior precedes brand acknowledgment by months or years.
The third signal is the purchase history requirement reversal. When ADs stop requiring purchase history to access references that previously required it, supply has exceeded demand for those pieces. The requirement existed because they were coveted — its removal signals that covetability has diminished.
Over-production is visible in secondary market pricing for the entire catalog, not just the sport references. When previously secondary-market-positive models begin trading flat or at a discount, production has caught up with or exceeded demand. When previously scarce references become consistently available at multiple dealers without waitlist or purchase history requirements, supply has been increased.
The transition from scarcity to availability is not always publicly announced. Brands do not issue press releases saying 'we have increased production of the Submariner and gray market premiums should be expected to decline.' The signal comes through market behavior: consistent availability at retail, declining gray market premiums, ADs not requiring bundled purchases. Watch for those signals.
Armed with this framework, a brand's next strategic move becomes legible before it is announced. A brand showing over-production signals — declining gray market premiums, increasing availability, reduced bundling requirements — is likely to respond with one or more of: limited edition releases designed to reset scarcity perception; celebrity and cultural partnerships designed to rebuild desirability; a production reduction or 'portfolio rationalization'; or a significant price increase to restore the gap between retail and secondary market.
A brand successfully holding scarcity and secondary market premiums will typically push retail prices up to capture more of the gray market premium, expand into adjacent product categories to monetize their brand equity, and introduce new complications or materials to justify price positioning. Neither path is inherently good or bad for the collector — understanding which path a brand is on allows you to make better decisions about when to buy, what to buy, and what to pay.
With these four factors in hand, the strategy for the passionate buyer becomes clear. The framework tells you not just what to buy, but when to wait — and when patience pays far more than the Fear Of Missing Out ever will.
Two rules that follow directly from the four factors:
When does our advice fail? Well — it shouldn't, for the publicly listed luxury watch groups that are highly capitalized in the stock market and have shareholders to feed (profit and dividends). The four-factor framework is built on the predictable, linear behavior that publicly traded groups are forced into: they must grow revenue, they must show margin, they cannot easily cut production, and they cannot easily surprise. Their moves are legible because the stock market demands legibility.
The advice may fail for privately run watch companies, who manage their products less linearly and are thus able to increase anticipation and create 'surprises' better. A privately held brand can discontinue a line without explaining it to shareholders, can hold production flat for years without an earnings call, and can release a genuinely unexpected reference because no analyst is modeling its quarterly output. The four factors still apply, but the timeline of their effects is less predictable — and the surprises are part of the value.
In the coming weeks and months, after perhaps a short break, look out for our upcoming research topics — the natural extensions of the four-factor framework into the practical decisions every buyer faces.
The next investigations from The Watch Pit:
Meanwhile, check out our YouTube channel too: youtube.com/TheWatchPit. See you soon.
References & Sources
Original The Watch Pit Source
This content is based on The Watch Pit's original video published on Facebook. All analysis and commentary is attributable to The Watch Pit.
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